Tuesday, August 17, 2021
We re-open on November 1st 2021 for applications to join our September 2022 intake [links at the top of the column on the right]. There are already several students with deferred offers for next year, so we would encourage those interested in applying to do so well before Easter 2022.
Monday, October 26, 2020
The Creative Writing MA
at Edinburgh Napier University in Scotland is now OPEN for applications
to join our September 2021 cohort. Full details about our selection
process can be found further down this blogpost, but we have already
started looking at applications for our next student cohort.
a dozen students who had offers for September 2020 opted to defer their
start for a year due to the Covid-19 pandemic. That means we already
have a few seats occupied for the 2021-22 cohort, so places are likely
to fill up fast. The sooner you apply, the better!
That's especially true for part-time applicants. We only take four or five new part-time students each year, and we've already got two people with deferred part-time offers for September 2021. So if you're thinking of applying as a part-time student, do not delay.
What makes our creative writing MA so popular? For a start, we put genre fiction front and centre in our course. If you love science fiction, fantasy, crime or horror, many creative writing MFAs and MAs don't want to know - but we embrace great genre writing and people who want to write it.
Edinburgh Napier's creative writing MA does not offer a poetry option. I repeat, we do not teach poetry. There are plenty of great courses with brilliant poets on their faculty - if you want to study poetry, seek those out. We have had prize-winning poets as students on our programme, but we don't teach or critique poetry.
There are no peer review workshops in Creative Writing MA classes at Edinburgh Napier. I repeat, no peer review workshops. This boggles the mind of some people, as such workshops are the dominant teaching style for creative writing pretty much everywhere else. But we don't have them in our classes.
Instead, you are encouraged to critically self-reflect on your work [with prompts from us], and to share that thinking. You get professional editorial feedback on your writing and your self-reflection skills, delivered masterclass-style in class. And you get six hours of one-to-one mentoring.
If that sounds enticing, here's how you apply for our course. Like so much of our programme, the admissions process we use to select students also seems to be unique...
First, you fill in and submit an application form [there are links to an online version top right of this page]. We welcome applicants who already have a degree - it doesn't have to be in English, English literature or some form of creative writing. We also recognise prior learning and writing experience in those who don't have a degree yet.
The crucial section of your form is the personal statement. This is where you tell us about your aspirations as a writer, and why our programme can help. Here's a hint: don't just copy and paste in your usual personal statement. We look to see if applicants have done their research on the course and have enthusiasm for our specialisms.
Do your homework and research our programme. Read the other entries on this blog. If you want your application taken seriously, show us you've taken our course seriously. Remember, your personal statement is also a chance to showcase your ability as a writer. So blow our socks off!
All being well, we'll progress you to the next stage of our selection process. We don't expect a writing sample with your application. Instead we'll invite you to undertake a writing challenge. We ask you to write us an original short story of up to 500 words, and you'll have a week to submit. This matches the writing challenges students face many weeks on our MA.
We give you a choice of first sentences. You select one and use that as the opening for your story. We let you decide when to receive the brief, so you can choose a week to suit you. And we include the criteria used to assess your story, so the process is transparent.
Once you've sent in your story, we read and assess it. Some applicants get turned away at this stage - we take roughly one out of every five people who apply. But if your story shows promise, we will invite you to an interview - via Skype, thanks to the pandemic.
The interview lasts up to an hour. During that time we use a teaching and learning activity from our course to assess you. This also gives you insight into our programme and how we teach. Your interview should be an enjoyable experience, and not an interrogation!
We let you know within a day if we're offering you a place - no waiting for months to find out [and no fee to apply, either!]. We use a rolling admissions process: once we're full, we're full. Our course takes a maximum of 18 full-time students a year, and up to four or five part-timers who are with us for two years.
If you still have any questions, get in touch before you apply. Email programme leader David Bishop here: email@example.com. The sooner you apply, the better your chances...
Friday, June 12, 2020
Lesley devised the narrative while studying for her MA at Edinburgh Napier University and its was the creative capstone of her time on the programme. She has continued to develop it, collaborating with artist Heather Charters on their entry for Myriad.
'I am ecstatic our project has been longlisted in the Myriad First Graphic Novel Competition,' Lesley wrote on Twitter, praising 'mega talented' artist Heather Charters. 'Keep everything crossed we make the shortlist.'
This Woman's Work is a documentary comic designed to inspire action and drive change in furthering gender equality. It examines how the workplace was not designed for women, and how women’s lives have been affected by that. [There's a full page from the project further down this blogpost.]
The graphic novel competition offers the winner(s) an opportunity to have their completed work published by Myriad Editions. It's a unique opportunity for creators to see their debut graphic novel in print, furthering Myriad’s mission to encourage and nurture new talent.
Myriad has published the graphic novels submitted by first two competitions winners - Gareth Brookes (2012) and Jade Sarson (2014), with the 2018 winner Jenny Robins due to have her graphic novel published next year. Myriad has also published four shortlisted authors from past years, as well as work by other creators who entered the competition.
The shortlist is due to be announced by the end of this month. We'll be keeping everything crossed for Lesley and Heather, but making the longlist is a massive achievement whatever happens!
|This Woman's Work @ Lesley MacNiven & Heather Charters|
Monday, March 30, 2020
Monday, March 2, 2020
Edinburgh Napier University is sharing the table with Seton Hill University, our partners for a new International MA/MFA dual degree in Writing Popular Fiction. David will be plugging ENU's unique programme, which has attracted dozens of American students to Scotland since 2010.
To contact David & AWP, the fastest way is via Twitter: @davidbishop
Saturday, February 8, 2020
Two years ago Jemma won the ‘One in Four’ competition for a new writer with single parent background, securing a £10,000 contract in the process. Now her debut novel is being published on February 20th, with a special launch event at Blackwells in Edinburgh on Thursday February 25th.
The Truth About My Mother was inspired in part by Jemma's experience of single parenthood and her grandmothers experience of being a single mother in the 1950s. Here's the official blurb for it:
All families have secrets, don’t they?Two more of our alumni have books coming out soon. British Fantasy Award-winning author Georgina Bruce has written a new horror novella called Honeybones, which is being published by TTA Press, home of acclaimed fiction monthlies Interzone and Black Static.
89-year-old Jeannette never meant to keep the truth from her family. But when a near fatal fall sends her to live with her granddaughter Amy, she finds herself revisiting a past that’s been hidden for too many years.
Amy, however, has always been good at keeping secrets. When ex-partner Nick shows up, she’s forced to admit that some things just can’t stay hidden forever.
Judith is starting from scratch – again. The master of reinvention, Amy’s mother has been seeking happiness in all the wrong places. This time though, she might just find it a lot closer to home than she ever believed she would…
As Jeannette’s 90th birthday party approaches, all three women discover they have more in common than they first thought, and the secrets from the past may be the key to unlocking the future.
Three women. Three generations. One legacy...
Honeybones is the second tome from this writer, following her short story collection This House of Wounds, which was unleashed by Undertow to considerable acclaim last summer.
Across the Atlantic publisher Little, Brown is preparing to launch the sixth book by another of our MA Creative Writing graduates, Katrina Leno.
Horrid is being described as 'a haunting contemporary horror novel that explores themes of mental illness, rage, and grief, twisted with spine-chilling elements of Stephen King and Agatha Christie.' Here's the full blurb for this September 2020 title:
Following her father's death, Jane North-Robinson and her mom move from sunny California to the dreary, dilapidated old house in Maine where her mother grew up. All they want is a fresh start, but behind North Manor's doors lurks a history that leaves them feeling more alone...and more tormented.As the cold New England autumn arrives, and Jane settles in to her new home, she finds solace in old books and memories of her dad. She steadily begins making new friends, but also faces bullying from the resident "bad seed," struggling to tamp down her own worst nature in response. Jane's mom also seems to be spiraling with the return of her childhood home, but she won't reveal why. Then Jane discovers that the "storage room" her mom has kept locked isn't for storage at all--it's a little girl's bedroom, left untouched for years and not quite as empty of inhabitants as it appears....Is it grief? Mental illness? Or something more...horrid?
Friday, November 15, 2019
I recently signed to literary agency Rogers, Coleridge & White, seven years after graduating from Edinburgh Napier’s Creative Writing MA. It’s an agency I’ve dreamt of joining, but it was the kind of dream I kept on the quiet, the kind of thing that happens to other people.
Although ostensibly the manuscript I’ve just finished doesn’t have much to do with what I worked on during the MA, dig a little deeper and it’s got everything to do with it. Before I started the MA I’d written a pretty dire manuscript, so I knew I could write to length. But I didn’t know anything about plot, structure or pacing - I didn’t know how to tell a story. The MA taught me everything I needed to know about storytelling, and then, when I did the elective creative non-fiction module*, I learnt how to bring all those storytelling skills and apply them to non-fiction, where my passion lies.
The most valuable thing I learnt on the MA was that writing is work, and hard work at that. It’s not a case of waiting for the muse to strike or for inspiration to appear. It’s sitting down and planning a piece of work, and working at it until it’s finished, and then reworking it until it’s readable, and then probably reworking it again. It is, to paraphrase Margaret Atwood, a word after a word after a word, until it’s done.
Shortly after graduating I gave birth to my first son, and over the next five years had two more children. I moved house four times and country once. I interviewed some of the world’s top authors and chaired at the Edinburgh International Book Festival. I helped to produce a film festival.
But all the while I kept writing, and kept dealing with rejection - badly at first, less badly as the rejections become more encouraging, until finally there was a yes. Without the MA I wouldn’t have had the professional skills needed to keep going and I’m eternally grateful for the time spent at Edinburgh Napier, and still slightly envious of students immersed in worlds of their own making.
*Edinburgh Napier's Creative Writing MA no longer has a creative non-fiction module, but it offers options in writing genre fiction, young adult fiction, comics and graphic novels, interactive media and writing for the screen. Core professionals skills remain at the heart of our programme!